Until the beginning of the digital era, whenever authoritarian governments felt uncomfortable with the critics, they would engage in the censorship of these so-called deserters of the nation and in the hegemonic control of the media, the academia and other institutions related to the production or the spread of information. In the twenty-first century, populist movements currently in power or even those that were not so successful in the last elections seem to demonstrate a common discomfort when faced with specific democratic values – such as the possibility of dissent – however, they no longer employ old-fashioned strategies to hide the parts of reality that they do not want to be shown to the public. As developed further in this article, populist leaders in the digital era who share a common authoritarian mentality can exploit more sophisticated tactics to silence their critics. Continuer de lire « The Emergence of Populism and the Delegitimation of Facts: a very global issue »
American painting is very interesting for its plurality and specialty of subjects. For instance, many similarities can be found between French, English or German paintings but American art appears to be very specific from its beginning. From great landscapes to portraits, focusing on the pictural art in America really allows one to understand the wish to build a great independent nation.